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October 26, 2005 – September 10, 2006 MetroTech Center, Brooklyn
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| Public Art Fund is proud to present a new exhibition of contemporary art at MetroTech Center. Material World features new commissions by Rachel Foullon, Corin Hewitt, Matthew Day Jackson, Peter Kreider, and Mamiko Otsubo. The works, which range from personal monuments to visionary landscapes, are each made using materials that directly relate to or are inspired by the artist’s chosen subject matter. Peter Kreider’s sculptures shift between the ordinary world and a more ambiguous zone of enchantment, where mysterious or abnormal things occur. Many of his works seem to be under the influence of invisible forces. Other works transform familiar objects, often by delightfully simple means, exaggerating both the physical presence and strangeness of familiar objects. Kreider’s works act as unassuming portals, offering another way of seeing what is around us. For his installation at MetroTech, Kreider explores the properties of one of modern culture’s most familiar, utilitarian objects. an upward-down is a colonnade of several unusually tall, identical fire hydrants, designed in the same classically inspired vein as New York City’s standard-issue street fixtures. But these hydrants are purely decorative, stripped of all functionality. They have no valves and nozzles, and are rendered in pink cultured marble instead of cast iron. The title, an upward-down, refers to the push-and-pull between above and below ground. Actual hydrants draw water from below, while these overgrown sculptural versions seem to sprout from the ground. They rise up against their prescribed height and function as if, Kreider notes, “by their own will or by some unknown influence.” While mimicking the grandiosity of traditional Greek and Roman architecture, the colonnade maintains the humility of the urban vernacular. Artist Bio Sponsorship Location . |
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