| Press Release Artist Bio Sponsorship Location Bibliography
multi media installation June
26 - September 2, 2002 at
Rockefeller Center
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the outset of his career, Nam June Paik has sought "the new, imaginative
and humanistic ways of using our technology" (1969). With this exhibition
of two major works, Nam June Paik--widely considered to be the most influential
media artist of our time--examines two of the most significant technological
innovations of the past century: the automobile and broadcast media.
This exhibition's centerpiece was Transmission, a 33-foot-tall authentic transmission tower made in collaboration with laser expert and creative technician Norman Ballard. During the day, the tower's rungs flashed with vivid neon lights. Every evening from dusk until midnight, a trio of red, green, and blue lasers beamed from the tip of the tower, bouncing off nearby mirrored surfaces to cast a colorful web around Rockefeller Center. In Paik's hands, the laser--which has been of interest to him since the late 1960s and has become the key element of his "post-video" work since the late 1990s--is more than a simple carrier of information. It is its own medium, carving visible lines and shapes into space and interacting with its physical surroundings. Flanking Transmission at Rockefeller Center were sixteen cars from Paik's 32 cars for the 20th century: play Mozart's Requiem quietly. This array of classic automobiles represented the heyday of the American automotive industry, but it was a far cry from the traditional automobile trade show. Each car was painted silver, stripped of its engine, and filled with defunct audio-visual equipment. Near the cars one could hear Mozart's Requiem, the composer's final, unfinished work. Artist Bio Sponsorship 32 cars for the 20th century: play Mozart's Requiem quietly
is in the collection of the Samsung Foundation of Culture in Seoul,
Korea. Location Other Public Art Fund projects at Rockefeller Center
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