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Conversation
Piece, 2001, is a group of five life-size bronze figures,
each of which bear the characteristic qualities of Muñoz's
figurative works: Round heads, mute faces with similar features,
and expressive gestures. With their oversized rounded bases, wrinkled
and bulging, the sculptures seem at once limp and unwieldy. The
five figures of Conversation Piece variously lean together,
whisper, and ignore one other, transforming the plaza into a theatrical
space where a mysterious drama plays out. With his series-and
with this compelling example in particular- Muñoz added
a new twist to the phrase "conversation piece," the
term used to describe a genre of 17th- and 18th-century English
and Dutch paintings of social gatherings in domestic interiors
or garden settings. Here, sited at the busy southeastern corner
of Central Park, Muñoz's psychologically-charged scene
is as complex and ambiguous as its predecessors are intimate and
precise.
Artist
Bio
Juan
Muñoz (1953 - 2001) began his career in the mid-1970s,
and gained international recognition as an artist, a curator,
and a writer of art criticism and prose. Drawing upon a wide range
of sources-literature, music, art history, theater and film-Muñoz's
work explored the ways in which architecture and sculpture can
weave powerful, open-ended narratives that involve the viewer
on both a visceral and intellectual level. Throughout his career,
Muñoz revisited certain visual themes-a balcony, a streetscape,
patterned floors, the ballerina, the dwarf-which link a diverse
body of work that includes drawing, sculpture, installation, performance,
and sound-based works. He created his first Conversation Piece
in late 1990, shortly after he began to incorporate the human
figure into his sculptural installations.
Muñoz
was born in Madrid, and studied at University of Madrid, Croydon
College in London, and the Pratt Graphic Center in New York. In
June 2001, Muñoz realized his most ambitious project ever,
Double Bind, a site-specific installation for the Turbine Hall
of the Tate Modern, London. Muñoz's first-ever American
career retrospective originated last year at the Hirshhorn Museum
and Sculpture Garden, Washington, D.C., and is traveling nationally
through March 2003. Muñoz's work has also been presented
at the Irish Museum of Modern Art, Dublin (1994); Dia Center for
the Arts, New York (1996); and Museo Nacional Centro de Arte Reina
Sofía, Madrid (1996).
Sponsorship
This
exhibition is made possible through the cooperation and support
of the City
of New York/Parks & Recreation.
Special thanks to Marian
Goodman Gallery.
Location
Doris
C. Freedman Plaza is located at the Southeast Entrance to Central
Park on Fifth Avenue and 60th Street.
Nearest Subway: N R to Fifth Avenue stop or 4,5,6 to 59th Street
stop.
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